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Cover thumbnail for Taos Moderns Taos Moderns

In the 1940s, Taos, New Mexico, became an important crossroads in contemporary American art, a place where the influences of European and American modernism merged together. Artists came from all across the U.S., attracted to New Mexico by the space, the brilliant light, and the diverse cultures of indigenous Pueblo and Hispanic peoples. The influx of dozens of artists by the 1950s established Taos as one of the centers of modernist art. Although they never created a formal group, a number of these artists exhibited together in art galleries and museums and were collectively known as the Taos Moderns. Stylistically, Taos Modern works are either abstract or non-objective compositions of pure form. Rather than depicting the surface beauty of the landscape or figurative portraits, they seek to capture the underlying structure of a subject to reveal its pure meaning.

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Title Artist Medium & Support Creation Date
The Windmill   Benrimo, Tom   Ink on paper  1955-1956 
Female Nude   Benrimo, Tom   Oil on board  1953 
Untitled (buildings with dark roofs)   Benrimo, Tom   Charcoal on paper  1955 
Chapel Road   Dasburg, Andrew   Pastel on paper  n.d. 
Guidon   Dasburg, Andrew   Graphite on paper  n.d. 
Ranchos in Autumn   Dasburg, Andrew   Pastel and ink on paper  1970 
Composition in Color   Ganthiers, Louise Marie   Oil on Masonite  1975 
Untitled (Male Studies)   Stroh, Earl   Graphite on paper  1977 
3 Male Nudes   Stroh, Earl   Pastel on blue paper  1977 
Figures in Landscape   Benrimo, Tom   Ink on paper  1957 
Windblown   Benrimo, Tom   Oil on Masonite  c. 1950 
Antonio Vigil   Dasburg, Andrew   Ink and graphite on paper  c. 1950 
Eve   Benrimo, Tom   Ink on paper  n.d. 
The Ridge   Ganthiers, Louise Marie   Oil on canvas  1982 
Homage to Virgil   Stroh, Earl   Oil on canvas  1984 
Harbor   Benrimo, Tom   Pastel on paper  n.d. 
Fiesta, Ranchos de Taos   Benrimo, Tom   Graphite with varnish on paper  1942 
Imaginary Landscape   Benrimo, Tom   Ink on paper  n.d. 
Landscape   Dasburg, Andrew   Lithograph on paper  1975 
Ranchos Valley   Dasburg, Andrew   Ink on paper  1965 
Forms, 1955   Benrimo, Tom   Ink and graphite on paper  1955 
Cityscape   Benrimo, Tom   Charcoal, ink on paper  n.d. 
Road and Houses   Dasburg, Andrew   Ink on paper  1960 
Harbor and Mountain   Benrimo, Tom   Ink on wove paper  n.d. 
Reclining Nude   Benrimo, Tom   Oil on Masonite  n.d. 

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